In "Kino Eye" there are interesting things to point out when it involves how this changes so much of how we film. First is to point out that film makers have the power to force a point of view or perspective withing the film. We can be spectators watching a boxing ring as the article explained, but we can also experience it if the film put us in the perspective where we are face to face with the boxers.
Another interesting thing to point out is that almost similar to the "Kruchev Effect" we can add scenes that has nothing to do with the film itself, but can end up meaning something. It's like the Krushev effect where a film can convey meaning when there are different scenes  put between the same one. In this case in the article of "Kino Eye" we can bend meaning by putting together scenes that doesn't relate to eachother or the film and it would somehow mean something.

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